The Other Side of the Story

The Other Side of the Story is an album full of head nodding songs with a Wayne Shorter feel, coupled with a spiritual and arcadian effect that only Matt Kane can deliver.  Kane’s influence is all over this album along with the undisputed truth that he can write songs and write them well.The Other Side of the Story You Me NYC
(Image courtesy of Matt Kane)

The team Kane put together for this album, comprised of vibraphonist Peter Schlamb, Pianist Klaus Mueller, guitar player Vic Juris and bass player Mark Peterson.  The Chromatic solos fo Schlamb and Muller work together perfectly on each track of the album.  Couple their playing together with the dynamic, sexy riffs and phrasing of Juris’ guitar playing is an added bonus.  Kane and Peterson back each soloist with solid rhythm.  Kane’s drumming technique drives the music forward, generating statements of his own, with tight snare whips in a march-like pace.

What I love about this album is that Kane explores a plethora of moods.  “Jump Rope Dance” is an exceptional example of funk, while “Eureka Springs” has an energetic feel of a road trip.  Then there is “Distance” which exhibits a rustic, rural feel, like being out in the wilderness camping.  “Drive” is all about a rock feel and is also Kane putting on a drum clinic.  He starts with a single tap to a full explosion of controlled drumming.

Conclusion:

The Other Side of the Story is a collective adventure that will take you on a ride through all the different moods Kane brings to the table.  Kane tells the other side of the story to us very well, not only as a bandleader but as a composer too.  This is the first album Kane composed and I am waiting with “Great Expectations” for his next work.  This album is a must-have for Jazz lovers and music enthusiasts of all genres as well.

Tell Me A Story Please

As a child, my fondest memories of learning came from the stories my teachers told. I loved fables the most, there was always a common sense lesson to be had. I remember sitting on the edge of my seat, listening to their stories. All these years later, I remember those stories. They stayed with me, but more importantly, the lessons stuck. To this day, I love to listen to a good story.

John Ferreira says, “storytelling is what connects us to our humanity. It is what links us to our past, and provides a glimpse into our future.”

I recently had the pleasure of attending an evening of storytelling hosted by Tracey Segarra. Tracey is a storyteller, a Speaker and a Consultant. After listening to the Moth podcast. Tracey became interested in storytelling. She entered the Moth storytelling slam in 2016 and won. She’s been telling stories ever since.Tell Me a Story Please You Me NYC
Photo: Jason Falchook

Tracey feels passionate that stories make us laugh, make us cry and move us. Tracey has brought storytelling to Long Island. Like the Bards and Grios of old, telling stories to the community in order to entertain, educate and remind us of how we are connected.

During the evening of stories, I was moved and engaged. It was a delight to unplug, sit amongst a diverse group and listen to the personal stories of others. The entire room was still, silent and enraptured by each storyteller at the mic. The audience was getting what we all crave, a high touch, intimate experience, shared amongst a group. These types of experiences are few and far between, especially as we allow technology to invade our personal space and relationships and define how we communicate with each other.

A few days later, I sat down with Tracey to understand her passion for storytelling.

How did you get introduced to storytelling?

Well, it was actually my husband, he had been listening to the Moth radio hour on NPR. He turned me on to it. The Moth has people telling true stories about their lives. Some are funny, some are tragic, but they are all compelling because they are about important moments in peoples lives. Moments that changed them somehow, and so once I started listening to it I was instantly hooked. I am a former reporter and writer. So I used to write personal essays. Plus when I was younger I was an actress. I had dreams about being an actress. So when I heard this on the radio it married two things that I love, getting up in front of people and personal stories. So I thought OMG, I have to do this and I love this!

The Moth has these story competitions called story slams in the city.
And so I went with my niece to one of them just to check it out. People put their names in a hat and they pick 10 names randomly. They have a theme, everybody tells one five minute story on that theme. I went to one just to listen. I was hooked. The next time one came up with a theme where I thought I had a story for it, I put my name in the hat, I got picked and I won that night. I was like ok, this is a message. I had no training, no nothing, I just told a story.

When they have ten people who have won story slams, they have a grand slam. In front of 500 people at the music hall in Brooklyn, the winners have to come up with a new story. You compete against nine other story slam winners. I told a story, I won that night. Now, I am like ok, ok, I am meant to do this. I can’t remember exactly how old I was at the time, 52 or 53, but I felt like I had finally found what I am meant to do with my life. This is it, this feels so right.

I am in marketing during the day. I put my marketing hat on and I thought, there is nothing like this on Long Island, why don’t I create this. That becomes my next thing. There is a huge storytelling scene in Manhattan. Any night of the week you can go to a storytelling. I knew we needed this on Long Island.

I have never heard of this.

I know its amazing how it’s such a well-kept secret, not that anyone wants to keep it a secret

I started my show out here at a small local bookstore in Rockville Centre and within a year, I outgrew the store. The store could only hold 50 people, and I outgrew the venue. I started booking bigger venues as more and more people started coming. Then Newsday did a story on me, The Long Island Business News and then the local Herald.
People then started asking me to teach storytelling. I started doing workshops and its grown from there.

Why do you think this is becoming popular, what is energizing this?

One thing, we have become a society of people constantly looking down at their phones every two seconds, however, as you saw last night when someone is telling a compelling, true story, they have your attention; and so as human beings, we crave the connections. It forms a real connection. This is not like stand up comedy, where we are like ok, make me laugh. You know this is like wow, let me in, let me feel what you are feeling. There is something very powerful in that. As society becomes more electronic and distant, we crave the connection. We are still human beings, we still need to connect with people. Storytelling fills that need.

As I was listening last night, I was thinking about how we used to pass on our history through storytelling

Exactly, that was the first thing we did to record history we told the stories to our children and told them to tell their children

And That was a community event

Right, yes, to come together as a community to hear each other stories, that’s why I love the live shows. The energy of the people in the room changes how the storyteller tells the story, we feed off each other

When you envision this, what is your vision for storytelling on Long Island

Well, I would love to book bigger venues and have more people tell stories. Two of the people in my show last night are not storytellers, they are just people with great stories and I want to magnify their voices. I worked with them on their stories to craft them into a narrative that works. They had something important to share, and it needed to be heard. I am so excited. I want to start a podcast. I am a former newspaper reporter, so I have a knack for finding good stories. I know that I will never run out of stories on Long Island. I want to start a podcast for LI stories. There are so many stories to be heard. I also want to consult with businesses on how to tell their Story. Storytelling for business especially non-profits is a power tool for messaging. Organizations realize that in order to cut through the clutter you have to have a compelling message and story. I am going to a conference in a few weeks. I will be working with people who work in communications for non-profits. I will be talking about the power of stories in business and especially with non-profits. To be successful you need a compelling story. People connect to stories and that in itself is a powerful tool.

As I think about last night, and the theme, Through the Eyes of A Child. We had these different people, from different walks of life, some diversity in the room, but the common thread was that we have all experienced a childhood, we have all experienced pain or trauma in our lives, growing pains, personal family angst, that’s what connects us. We are much more alike then we think we are, I was really fascinated by hearing the storytellers. Taking us on a journey back to their childhoods, this was my experience and this is who I am because of it. I am sharing this with you.

Exactly, there was also a vulnerability, that the storytellers showed last night which drew the audience in.

What is the impact that you want to have?

I am still trying to figure this out. I want to continue to teach storytelling and producing shows, helping others find their voices and helping them to be heard. I love finding the storytellers and helping them craft their message and having it touch people. I would love to do that for non-profit organizations

there is a quote by a poet I like, Sahib Naiah

“You can reject peoples politics, You can reject their religion but you cannot reject their stories”

That’s why I do not get political, this is about human to human connection and what we have in common, not what tears us apart. We hear enough about what tears us apart.

We have to focus on how we are connected. Every business can leverage storytelling.

There is neuroscientist Dr. Paul Zaks. He has studied the effects of storytelling on the brain. What he found is that when someone is telling a compelling true story, showing vulnerability and authenticity, keeping you on the edge of their seats, it activates a neurochemical in the brain, oxytocin. Once this chemical is released you start to feel what the storyteller is feeling and you are more apt to take the action the storyteller wants you to take, you start to develops trust. It is often called the love hormone, the trust hormone. Storytelling does that.

What impact has this had on you?

It has given me a voice, I was a drug addict and alcoholic in my youth. I am 56 now, Up to the age 25, I made a mess of my life. It took many years to repair that. For many years I was ashamed. They teach you in the program that you are not a bad person getting good, you are a sick person getting well. For a lot of years, I was ashamed and upset at what I had done. Once I got into storytelling, I was like Oh my God these are stories I can tell these. Once I had the advantage of time I can now see how these life events have shaped me today. It helped me get over the bad feelings and guilt.

Is it cathartic?

Very cathartic, also I am a performer, so when I feel that I have the audience in my hands, and I am bringing them on a journey through my life and they can relate, it is an incredible feeling. I feel that I can take them on a journey. That is a powerful experience.

Last night when you were telling your story, about summers at your grandmothers, with all of the characters, I was transported, I could see where you were, I could feel the way the air felt, I was there with you. For me it was a simple way to relax and enjoy, just listen. That in Itself was calming.

I think anytime I tell a story about something that affected me its always something that is universal. We all had fears and insecurities and issues with our mothers every one can relate to that and eventually finding a safe haven.

What I have I know, especially after attending the evening of storytelling, is that stories connect us, like a spun thread weaving between us all.

Tracey Segarra is a Storyteller, a Speaker and a Consultant. For information about Tracey’s upcoming storytelling events or seminars, go to traceysegarra.com.

Gorillaz Gone Ape In the Barclays

Closing in on the colossal stadium, in the now metropolitan, which is Fort Greene, lies the Barclay’s Center.  The Barclays Center is certainly a circus of lights, advertisement and a certain glint of “New York” spirit. Whether it is the most out of place Roc-A-Wear clothing store or extremely lit (with actual lights) subway entrance to guarantee that you’ve definitely made it to your destination the Brooklyn way. Making my way into the colosseum in the city there’s a brief halt to the glamour and glitter while being checked in through the short security section. The lobby area is nothing special, especially when comparing to the light show that’s going on outside. Once past all the meekness of entering the tunnel to get to your seat, lies vendor after vendor serving decadent meals and frosty cold beers. The homage train car near the exclusive “American Express” entryway isn’t lost on this New York however, it does serve as a cool separation for the haves and the people who are actually riding the train.

Gorillaz Gone Ape You Me NYC(Image Courtesy of New York City Theater)

The Internet was a sublime opener for those previously unaware of the group. With a cocktail mix of R&B, hip-hop, funk and electronic they served as the perfect amuse-bouche to the audience. Even though there were a number of seats still being filled in, the waiting crowd was vibing to the beats.

Anticipation wore heavy on me wondering with questions of what form the band would appear in for the show. Previously known for concealing their identity with some groovy animations or using their silhouettes, the band storms on stage with a wild energy. Their outfits matching the presence of their music, electrical and eclectic.  All except for the frontman of the band, David Albarn’s character 2-D, represents a similarly grungy, laid back, cigarette ashing on my washed out black T-Shirt vibe. The other members performing as the backup in some radical bright patterns and eye-catching colors, like the animated videos in the background showing the remaining animated members of the band.

Gorillaz Gone Ape You Me NYC(Image Courtesy of Brooklyn Vegan)

The first song bringing the band on stage “M1 A1” screams out an ominous call for help, behind a building guitar riff which is reminiscent of early guitar hero strumming that breaks into an electrifying brit rock anthem. It was an excellent way to start and rile up the crowd after a comparatively calm band like The Internet.

Followed up by ‘Tranz’ a trancey toon with an animated video of the nonhuman portion performing, gives a feel of what some of the first songs put out by the band.  There is more of a rock influence backing the track.  ‘Last Living Souls’ was next up using a beat machine.  David Albarn introduces a tougher hip-hop beat while the song sings out questioning the humanity of people while alternating between beats and a country-like ballad.  This song shows how the band can seamlessly incorporate different genres.

The band coasts through “Rhinestone Eyes” a softer melody before getting into the far creepier “Saturn Barz” featuring Popcaan. The song is dark visually and linguistically.  Popcaan sings through some of the painful realities of his life growing up in Jamaica, to a contrastingly creepy electronic rhythm. The electronic presence of the group, likely wouldn’t have translated as well without the harmonious background cast of all black singers. There, a solo by a spectacular talent that was especially appreciated by the audience.

Other highlights of their epically extravagant set include a variety of guest stars including De La Soul, Peven Everett, Bootie Brown and a Brooklyn native Mos Def. The experience was a definite separation from a typical concert experience with well-choreographed animated videos, to bring clarity to the lyrics that are usually far more serious than their sometime’s pop-punky backtracks. Towards the end of the show, most of the sparsity in the crowd was filled with standing fans singing along. This being a more personable performance for the band, it only leaves us fans anticipating what the transformative group has ahead of them.

The Painted Lady Suite

The Painted Lady Suite is the debut album by the Michael Leonhart Orchestra (MLO).  Inspired by the incredible 9 thousand mile migration of the the “Painted Lady” butterfly. This suite is broken into two parts with seven movements.  Each part represents, two separate journeys of the “Painted Lady” butterfly. One journey is over North America to Canada.  The other from the Arctic Circle over Europe to North Africa.  Additionally, this compilation also contains three earlier pieces composed by Leonhart specifically for MLO. Michael Leonhart Orchestra The Painted Lady Suite You Me NYCFirst, is the additional track “In the Kingdom of MQ”.  A cool march , with a stimulating solo by tenor sax player Donny McCaslin. “In the Kingdom of MQ” is dedicated to Leonhart’s younger son Milo.  Portraying his son’s confident steps from toddler-hood to the joyful discoveries of being a young boy.   Next,” Music Your Grandparents Would Like” is what fusion is all about.  A “big band” swing with a rock feel, guitarist Nels Cline delivers a solo which Zappa would appreciate.  Thirdly the piece, “The Girl From Udaipur” depicts a family trip to India.  The baritone sax solos of Ian Hendrickson-Smith and Jay Leonhart bring this album to a chilling close.

First of all, I love this album because each song delivers a taste of the classical masters, such as Ravel and Stravinski.  If you are familiar with “Bolero” by Ravel, you can definitely recognize his influence in a lot of the music on this album.  Furthermore, you can also hear the influence of rock guitar legends Frank Zappa and Jimi Hendrix on this album as well.  Finally, the glue holding this album together is the style of Miles Davis and Quincy Jones.

Conclusion:

This is a definite “add” to your collection.  This album is perfect for any mood, therefore a must have for all Jazz aficionados.  Additionally, the progress and evolution of MLO parallels the journey of the “Painted Lady” butterfly.  Hence the creation of “The Painted Lady Suite”, which really hits home.  More importantly, this album is an illustration of a blend of genres that work well together.  “Painted Lady Suite” is solid, however the three additional tracks are what really make this album exceptional.

The DIVA Jazz Orchestra and Their 25th Anniversary Project

I Absolutely love this album.  The DIVA Jazz Orchestra is an ensemble of fifteen extremely talented and versatile female musicians, that swing, with a “Big Band” sound that will completely leave you thirsting for more.  The fact that this band is comprised entirely of women, makes it a melting pot for talented musicians who remain greatly under exposed to define and express themselves in such a male dominated industry. The Diva Jazz Orchestra You Me NYCThey are hard charging, powerful and their anniversary project album is all that and more.  Every song on this album swings with vibrant sound and stellar soloists that really take charge.  This twelve song collection contains all original compositions by its members.  The precision of each contribution to the project, highlights the alliance of skill by each musician, beyond their exceptional playing artistry.

The first track on the album is “East Coast Andy” which really sets the mood for the entire compilation.  The melody is performed with an excellent woodwind section surrounded by a strong brass section.   Each section of band hits, show how tight a band can be after playing together for twenty-five years.  Jami Dauber’s trumpet solo is marvelous and stirring.  The solo is full of blues tonality over the medium-tempo of solid swing.  Baritone sax player Leigh Pilzer’s is just buzzing with the full rich language of Jazz, which is the heart and soul of this song and all of the other pieces on this tremendous work.

A 25th anniversary is a rare milestone in the music world today.  Band leader Sherrie Maricle, is the driving force behind this Jazz machine of excellence.  The DIVA Jazz Orchestra goes above and beyond the label of an just another all-female band.  This is all about a combined sound and force of women who have worked hard for each of their accomplishments as players and game-changers in the industry today.

 

Wes Montgomery in Paris (Jazz Album)

Wes Montgomery, Jazz Guitarist/Musician/Legend, that’s what I think about this brilliant composer and instrumentalist.  Born in Indianapolis Indiana, the guitarist had one of the most successful careers in the world of Jazz.  Just recently I had a chance to hear a recording of Wes live in Paris which was produced on March 27, 1965 and had been re-released digitally in a two CD set by Resonance Records.  There are two reasons as to what makes this recording so unique.  This was Wes’ first and only performance in Paris, AKA the “City of Light” and it was recorded in “ORTF”.  Now you’re probably saying to yourself, “What the hell is ‘ORTF'”.  “ORTF” is a technique used to record  stereo sound.  Now I can go on and talk about recording techniques, however that’s not what this is about.

Wes Montgomery You Me NYC

Wes was joined on the stage, by Jazz legends, pianist Harold Mabern, bassist Arthur Harper, drummer Jimmy Lovelace, and special guest, tenor sax player Johnny Griffin, all solid at what they play in the Jazz world.  The arrangement are flawless and truly some of Wes’ best work along with his accompaniment.  Harold’s piano is full of the freewheeling spirit of “Bop”  and the tight rhythm section keeping the pace for the finger picking leads and the slash chord solos with the magnificence only Montgomery can deliver.

The mid-’60s was considered a time of “Pop Jazz” which is where Wes tended to drift towards, however, he still kept to his bebob and blues roots through the entire performance.  Song number four on CD number two is a perfect example of this combination of genre and style that is the antithesis of Wes Montgomery. The  entire album illustrates the long lasting impression his creativity left on the world of Jazz and all the genres of music today and days of the past.  We lost Wes 3 years after this iconic performance, June 15, 1968 at the age of 45 due to a massive heart attack.  A crushing blow to the Jazz and performing artist community.  This album is a must have for all Jazz enthusiasts.

Pure Samba

Making people happy and smile is what is most important to Lisa Ferreira, founder and director of “Pure Samba” a dance and entertainment company based out of the “Fort Greene” section of Brooklyn.  Originally from Long Island, Lisa currently resides in and is a proud resident of “Fort Greene” Brooklyn.  She considers herself the mayor of “Fort Greene”, as she is one of the last remaining cool “Fort Greene” residents from an era of Black Excellence, Black Renaissance, and Black culture of “Fort Greene”, Brooklyn.
Pure Samba Lisa FerreiraThe first time Lisa witnessed a Samba performance, she was enthralled and captivated as to how beautiful, strong, and confident the women were performing.  Her love for Brasil, its people, food, music, dance, culture, energy along with her “West Indian” Heritage,  are all factors that lead up to her decision in becoming a Samba performer.  Lisa’s father’s people are from Trinidad and as a child she and her siblings would hear their great aunt and uncle profess their love for Carnival when they would come back from their trips to Trinidad.  Lisa was fascinated by the costumes worn and the joy expressed by the people participating in Carnival, in the pictures her great aunt and uncle would share with her and her  siblings.  According to Lisa “It is a beautiful coincidence that as an adult I came to fall in love with Carnival from Brasil. It is in my roots, my blood, my heritage as well. My great aunt and uncle have since passed, but I know they are proud to see me living the Carnival tradition by way of the colorful stories they shared with me as a child”.

According to Ferreira, there are a few pop influences that have an impact on the way she dances, along with the beautiful dancers she has the pleasure to work with as well.  However, the most significant are the Passistas, the superstars of Samba dance of Brasil, it’s their joy and innovation that inspire Lisa’s dance technique.  According to Lisa, her main motivation behind the establishing of her company is her beautiful mother.  Her mother would encourage her to be the best that she can be and find bliss in doing her own thing.  Unfortunately both her beloved mother and father passed away in 2014.  “Pure Samba” is her tribute to her mother who is her eternal revelation for everything she does in life.  “I continue hearing her say ‘Go ahead do it, do it with all your might'”, Lisa says.  No matter how tired and exhausted she is, her mother’s influence keeps her going, as she puts her heart and soul into every performance.  According to Ferreira, she guesses she is always looking for her mother’s validation which keeps her striving to be the best.Pure Samba Llisa Ferreira

Being a performing artist and the owner of a dance company in New York City, the winter poses an issue with keeping her body warm prior to shows, which is one of the challenges Lisa deals with.  Other than that, there are very little challenges due to her love for dance.  Listening to the music makes her smile and wearing one of her beautiful costumes is like a fantasy.  Samba makes her happy, it’s magical she explains.  If Lisa’s having a bad day, the moment she starts to dance, it all melts away, without a care in the world.

Aside from the demanding world of dance and the countless hours that are spent by being a business owner, there is actually some downtime.  Being a SAG/AFTRA actress, she likes to spend time watching episodic television, dance alone at home enjoying the relationship between dance and music and spending time with friends over brunch.

When asked what advice she would give to up and coming dancers that want to make a career out of dance, her recommendation is to love what you do and be the best that you can be at the moment, along with not judging yourself if you are injured or having a bad day.  With that being said, Lisa has always had a vision to continue to empower the dancers of “Pure Samba”, by creating high profile opportunities for each of the performers, such as the co-creation of a commercial for Hershey’s Kisses “Say it with a Kiss” campaign and an appearance on on the “Nightly Show”, with Larry Whilmore about Cuba.  Lisa also co-stared in a comedy pilot for A&E as a Samba Dancer and she also choreographed a routine for a very well known men’s fashion designer, for New York Fashion Week Mens.

It’s a very full plate that Lisa has on her table and what’s amazing is that she still has time for a social life.  She will continue to create high profile opportunities for the members of her dance company and herself as well.  She is looking forward to continued success in her performing and one day also to be married.

Fishing for Compliments: Jazz Album

People ask me all the time if there is a particular Jazz album for a specific occasion or “What’s a good album to sit back and just chill to”?  I make a ton of recommendations because there is a lot of Jazz out there.  One album that really stands out to me is “Fishing for Compliments” a blend of Cool, Swing and Smooth Jazz all rolled up into one hell of an album created by tenor sax phenom Scott Kreitzer.  Kreitzer is accompanied on this album by one of the best rhythm sections in the business today, including: Kenny Washington, David Finck, Andy Ezrin and Kreitzor’s mentor, Ira Sullivan.  Each artist in this combination, compliment each other throughout the entire album the way only true Jazz masters can. This compilation is flavored with all of the various influences throughout Scott’s Career such as John Coltrane, Sonny Rollins, Clifford Brown, and Ira Sullivan.

 

Scott Kreitzer Fishing for Compliments

 

Just a little about the man behind this album, a current New York City Resident, Scott is originally from South Florida and started his musical journey on the clarinet when he was twelve years old.  At the age of fifteen, Scott was introduced to the tenor sax and Jazz legend Ira Sullivan, who later became his  mentor.  When Scott turned nineteen he ventured off to New York City where he was able to study with Joe Lovano, Eddie Daniels, and Bob Mintzer, while he was still able to continue his education at William Paterson College.

“Fishing for Compliments” is on of those albums that can be played on any occasion for any type of mood.  Whether your throwing an exclusive dinner party or you need to come down after a stressful day, this album is the perfect answer for any situation.  Have a listen, swing and enjoy!

My Passion – My Therapy – My Life

From Hitsville USA (Detroit Michigan) to Bed-Stuy (Bedford Stuyvesant) Brooklyn, Kendra J. Ross, professional dancer, professional choreographer, teaching artist, arts administrator, and community organizer was able to set aside some time out of her extremely busy schedule for us so that we may get to know more about this “Detroit” native, now one of the most well-known performers in the Brooklyn and New York City dance community.  Growing up in Detroit has shaped Kendra into the proud black woman she is today.  One of the most segregated cities, Kendra was always surrounded by black people of all shades, colors and aptitudes.  According to Kendra, black has always been beautiful, she never experienced being a “token” until her adulthood.  Being from Detroit, has given Kendra a love for the flashy elements with a little bit of grit.

Kendra J Ross Teaching Artist

In her early years, growing up in Detroit, Kendra (pictured here courtesy of Longtower Photography) was always a performer.  Her career started with a performance of an assortment of MC Hammer and Michael Jackson interpretations, in a well-know venue to her, which was her living room in front of a very tough crowd, which happened to be her parents and grandparents.  Even though Kendra did not start taking formal dance lessons til she was twelve years old, she was always fascinated with dance.  Her eternal love for the art was conflicted with also wanting to go into the legal profession as an attorney and she would have, until her AP Chemistry teacher told her that aspiring to be a dancer is a “waste of her talent”.  “I do not take kindly to people telling me what I cannot do so I decided to prove her wrong” Ross says.

When asked what she loves and what are some of the challenges she faces in her field of expertise, we find that connecting with other people through movement is what Kendra loves about what she does in her chosen profession.  She can express so much more than words can signify through her choreography,  especially at that moment when she discovers a quality about herself through dance and when she is able to help someone else reveal an attribute about themselves through their progression as well.  With her love for contemporary dance and folkloric dance, specifically Afro Caribbean dance, which tends to be underfunded, coupled with the fact that people aren’t going to live shows as much, unless it’s Broadway or a very well known company, due to the growing popularity of the Internet,  Kendra has to take on the role of multiple jobs while creating and performing her masterpieces.  Fortunately she works in the realm she also creates in, Kendra is the “Director of Programs and Administration” for “Cumbe: Center for African and Diaspora Dance”.  According to Ross, the labor can be exhausting and not as financially rewarding as the amount of work she puts in, however, in her own words “art is my passion, my therapy and my life so I do it anyway”.

Kendra J Ross Teaching Artist

There is a large source of influence and inspiration Kendra pulls from, including, her family, ancestors, the Orishas,  Detroit and Bed-Stuy and her appreciation for music, all of which inspire her and the different moods it creates.  As far as individual influences, Kendra holds in high regard, both Katherine Dunham and Pearl Primus for their movements and strict commitment to evolving tradition.  Adia Tamar Whitaker the “director” of the “Ase Dance Theater Collective” and the way she continues the legacy of being grounded in tradition along with creating new tradition also has quite an impact on Kendra, who is also a member of this company.  Efeya Sampson, a beautiful dancer, teaching artist, cancer survivor and Kendra’s best friend also inspires and influences her by reminding her to be strong, to walk the world with grace and power, while challenging her to be a better dancer because she doesn’t want to be out-shinned by her “bestie”. (photo courtesy of Erik Bandeiro)

With all that is going on in Kendra’s life there is actually a fraction of downtime.  Kendra has started a new Sunday morning self care ritual.  She starts off by playing her music, then she starts dancing in the mirror, followed by dancing over to the kitchen, to fix herself some “gluten free” pancakes.  On other days, she likes to talk to friends and family in person or over the phone or watch television, her new fix is a show called “This is Us”.  She loves to cook and on days where the weather is cooperating, she loves to walk around  the rapidly changing Bed-Stuy especially during the warm months or sometimes just sitting at home in silence contemplating in her peaceful surroundings.

Kendra J Ross Teaching Artist

Her current residence of Bed-Stuy surrounds her with diverse motivations, ideas and enthusiasm, all a part of community and legacy the two most important factors about what she does.  Since her work is rooted in the African Diaspora, she believes in upholding and carrying on these traditions that hold the ancient knowledge that the people of the African Diaspora have used for survival. Through her work, the companies she dances with and the art she administers, Kendra believes that she is creating community for people.  Hence her creation and founding of “STooPS” a conduit for community building and intentional artistic experimentation.  New York City is massive, it can feel over crowded and lonely at the same time, the community she creates along with other communities she is a part of, serve as a family support system for herself, for those she works with and the continuing of the “Kendra J. Ross Legacy”. (photo courtesy of Ivan Forte)

Kendra J. Ross Teaching Artist

(photo courtesy of Erik Bandeiro)

Elbow


Originally formed in Manchester, England in 1990, Elbow’s swirling, moody, and unmistakably British brand of ethereal rock is as cerebral as it is beautiful. An admitted musical snob who critiques and analyzes every note as it enters my ears, I have been hooked on this band since first hearing their debut full-length major label release back in 2001, entitled “Asleep In The Back”. This band’s music has pulled me to soaring new heights of unending, thought provoking, emotional dream-scapes that few others have. The kind of music you want to casually drive home listening to with only the night sky as your passenger. The kind of music that envelops your body, and your mind, in a warm, complete cloak.

With 6 other studio albums, and one B-side compilation, with their most recent release titled “Little Fictions” released in February of this year, Elbow continues to reinvent themselves and solidify their position as my undisputed favorite band.

Guy Garvey Elbow
A few weeks ago I was asked to start contributing to this magazine and of course, I said yes without hesitation. The only issue was to figure out what my first contribution would be. Then, a few days later on November 2, 2017, I went and saw Elbow live at Terminal 5 in Manhattan; and as the music took over that night before our eyes, my first article began to take shape.

The band took the stage to the thunderous appreciation of the crowd’s acknowledgement, with all of us fully aware of the beautiful journey we were about to embark on together. Singer Guy Garvey stepped into the spotlight donning his familiar black button down shirt with his sleeves rolled up and darkly colored jeans. A Burly man who’s kind, smiling face was draped in its ever-present brown scruffy beard. He greeted the crowd and waved with seemingly as much excitement as the rest of us had to begin the show. If you’ve ever seen Elbow before there is always one constant, the fact that this band never fails to present their music with the same amount of joy and gratitude every single time. It’s as if they are always playing their very first concert in a room filled with 5,000 of their closest friends, every time. As you watch them throughout the night you would swear that Garvey makes direct eye contact with every single person in the room at least once, including yourself.

As much as they may draw comparisons to fellow countryman Radiohead and Coldplay, there is no comparison in the eyes of your narrator. Nothing against Radiohead or Coldplay, but Elbow never seems to need the flash, nor the pomp and circumstance, either of those bands tend to bring along. It is the stunning simplicity, sincerity, and beauty of their music which sets them apart, not only from the two aforementioned bands, but from every other band. Garvey commands a room like few other front-men have and addresses the crowd with a level of respect that few others can. Often including the crowd as backup vocalists to the point where he relies on their voices to begin some songs, and carry others. The crowd never fails to graciously accept his offer, and just like that, we are all joined in song.

Their latest album, Little Fictions, explores a sense of rhythm not displayed on earlier recordings, but with the same level of melody which is ever present. They don’t overpower you with musicianship or thunderous percussion, instead you will find that most of the time they seem to simply sprinkle in the perfect amount of instrumentation while allowing Garvey’s soothing, and sometimes heartbreaking vocals and poetry to guide the way.

Elbow

No matter what your usual musical tastes may be, I implore you to give this band a listen. In a world which seems to artistically provide less and less honesty and emotion, Elbow’s versatile style offers a little something for even the most discriminating musical palette. Happy listening. Your friend – Vinny P.