Elbow


Originally formed in Manchester, England in 1990, Elbow’s swirling, moody, and unmistakably British brand of ethereal rock is as cerebral as it is beautiful. An admitted musical snob who critiques and analyzes every note as it enters my ears, I have been hooked on this band since first hearing their debut full-length major label release back in 2001, entitled “Asleep In The Back”. This band’s music has pulled me to soaring new heights of unending, thought provoking, emotional dream-scapes that few others have. The kind of music you want to casually drive home listening to with only the night sky as your passenger. The kind of music that envelops your body, and your mind, in a warm, complete cloak.

With 6 other studio albums, and one B-side compilation, with their most recent release titled “Little Fictions” released in February of this year, Elbow continues to reinvent themselves and solidify their position as my undisputed favorite band.

Guy Garvey Elbow
A few weeks ago I was asked to start contributing to this magazine and of course, I said yes without hesitation. The only issue was to figure out what my first contribution would be. Then, a few days later on November 2, 2017, I went and saw Elbow live at Terminal 5 in Manhattan; and as the music took over that night before our eyes, my first article began to take shape.

The band took the stage to the thunderous appreciation of the crowd’s acknowledgement, with all of us fully aware of the beautiful journey we were about to embark on together. Singer Guy Garvey stepped into the spotlight donning his familiar black button down shirt with his sleeves rolled up and darkly colored jeans. A Burly man who’s kind, smiling face was draped in its ever-present brown scruffy beard. He greeted the crowd and waved with seemingly as much excitement as the rest of us had to begin the show. If you’ve ever seen Elbow before there is always one constant, the fact that this band never fails to present their music with the same amount of joy and gratitude every single time. It’s as if they are always playing their very first concert in a room filled with 5,000 of their closest friends, every time. As you watch them throughout the night you would swear that Garvey makes direct eye contact with every single person in the room at least once, including yourself.

As much as they may draw comparisons to fellow countryman Radiohead and Coldplay, there is no comparison in the eyes of your narrator. Nothing against Radiohead or Coldplay, but Elbow never seems to need the flash, nor the pomp and circumstance, either of those bands tend to bring along. It is the stunning simplicity, sincerity, and beauty of their music which sets them apart, not only from the two aforementioned bands, but from every other band. Garvey commands a room like few other front-men have and addresses the crowd with a level of respect that few others can. Often including the crowd as backup vocalists to the point where he relies on their voices to begin some songs, and carry others. The crowd never fails to graciously accept his offer, and just like that, we are all joined in song.

Their latest album, Little Fictions, explores a sense of rhythm not displayed on earlier recordings, but with the same level of melody which is ever present. They don’t overpower you with musicianship or thunderous percussion, instead you will find that most of the time they seem to simply sprinkle in the perfect amount of instrumentation while allowing Garvey’s soothing, and sometimes heartbreaking vocals and poetry to guide the way.

Elbow

No matter what your usual musical tastes may be, I implore you to give this band a listen. In a world which seems to artistically provide less and less honesty and emotion, Elbow’s versatile style offers a little something for even the most discriminating musical palette. Happy listening. Your friend – Vinny P.

Let the Rainbow Lead the Way

Not too long ago I was at a private art exhibit over on 10th ave in Chelsea for an amazing artist by the name of Alfrena Moosa.  She came up from South Florida with a few of her astonishing works and I have to say everyone was very impressed with what she had to offer, both as an artist and as a person as well.  “Let the rainbow lead the way” is what Alfrena titles her body of work.

Although she was extremely mobbed by collectors, critics, and reporters such as myself, she was able to answer a few of my questions before she was pulled in a different direction by someone else.  Alfrena doesn’t have a favorite artist, however she does appreciate the early artists that have paved the way for the up and coming artists in today’s society.  According to Alfrena, there is not one piece of artwork today that one cannot say mimics a previous artist’s technique, style or skill.

Art has affected Alfrena by influencing her sense of creativity and love for color.  It also has given her the self confidence, that she can be the best in all facets of her craft as long as she continues to work hard, stay true to herself and never be afraid to approach something others might be unsure of.  Looking at her creations and her hands is a constant reminder to her of the gift she has been blessed with.


Although Alfrena doesn’t have a favorite artist, her favorite genres of art are realism and abstract.  She loves to combine both and looking at her artwork, she does a extraordinary job at this difficult combination.  Her methods to start a project begins by asking herself, how she can express herself through the narrative of each picture or idea before her.  Her next step is to make sure that each proportion of her piece is correct.  Then she uses her imagination and music as a guide for the placement of lines, shapes and color.

In closing, I was only able to get a little bit more from this brilliant artist before she was pulled away by a few other journalists.  When asked about her future and where she envisions her art work,  Alfrena wants to start a foundation that encourages teens to use their gifts that they were blessed with as a pathway to a productive future. Alfrena also envisions her works in various public spaces such as hospitals, museums, galleries and of course on the cover of a book or magazine.  More importantly, she wants her artwork to be the motivation, inspiration and the reason to what makes a person smile or say “Wow”, just by one glimpse of her work.

(This First Piece of Artwork is Titled “Follow the Rainbow”)
(This Second Piece of Artwork is Titled “Emotionally Balanced”)

 

 

 

Beats By Keishh

Keishh

From playing around with “Fruity Loops” in her parent’s basement to producing tracks in New York City, where one landed on HBO’s “Insecure” due to features on “NPR”, blurbs on “Fader”, “Elle”, “The Cut”, and “The New York Times”, Keishh the founder of “Beats by Keishh” a fantastic music production company in the Brooklyn area, is on a mission to showcase her company’s talent through live performances and more visual projects.  When asked how she came about her name Keishh with an extra “h” she replied “I knew I wanted to always keep my real name in some way.  Funny story is I used to go by Killa Keish, and when I went to pick my twitter account it was unavailable.  So I threw on an extra “h” and it was available, so I went with it haha!  I saw myself making music forever so I dropped Killa but kept KEISHH with the extra “h” just because it was a part of me at this point.  keishh.com was available when I went to make my website which was cool, and it also makes it a bit easier to find me online.  So the internet kind of led me to this, but I like it”!

Keishh was born in Denver Colorado and raised in Central Maryland where she discovered her love of music at the age of six, while observing her uncle making and producing all kinds of beats.  Fast forward a few years, Keishh was listening to instrumentals on “You Tube”, where she saw some suggested video content on making beats.  With little to no formal music training outside of some basic classes,  she went ahead and downloaded “Fruity Loops” and began creating music patterns.  After that Keishh was hooked.

When asked who are her primary musical inspirations, her response was “Missy”, “Timbaland”, and ” Pharrell”.  Those three made most of her favorite music growing up.  Their versatility, signature sound, and how their production shaped the artist, is what she aspires most to do and emulate.  Whenever Keishh is feeling uninspired about music, she likes to listen to their instrumentals and get lost for a while and then found by a shot of ambition.

Amongst all of the projects she has worked on, her favorite one is an album she produced for an artist by the name of Miss Eaves, titled, “Feminasty” which also happens to be Keishh’s most successful thus far.  Keishh and Miss Eaves met via the “World Wide Web” and developed a wonderful relationship over time.  Keishh loved this project because at the time she was living in Maryland and Miss Eaves was living in Brooklyn.  The challenge was to communicate their visions to each other without being in the same physical space.  After the extraordinary production of “Feminasty”, both Keishh and Miss Eaves gained the confidence needed in each other to trust their ideas and execute them without any doubt, whether being in the same state or different countries.

Keishh is an amazing artist, producer and I can’t wait to see and hear what else comes out of her outstanding production company.  What really strikes me the most about her, aside from her amazing talent is how real she is.  When asked if there were any embarrassing moments during any of her production sessions she said “No”, however what embarrasses  her right now is when she listens to her early tracks and thought how she was creating fire back in the early times and then realized how far from fire it was.  Check out Keishh’s “SoundCloud” tracks below, you won’t be disappointed, I can assure you of that.