Closing in on the colossal stadium, in the now metropolitan, which is Fort Greene, lies the Barclay’s Center. The Barclays Center is certainly a circus of lights, advertisement and a certain glint of “New York” spirit. Whether it is the most out of place Roc-A-Wear clothing store or extremely lit (with actual lights) subway entrance to guarantee that you’ve definitely made it to your destination the Brooklyn way. Making my way into the colosseum in the city there’s a brief halt to the glamour and glitter while being checked in through the short security section. The lobby area is nothing special, especially when comparing to the light show that’s going on outside. Once past all the meekness of entering the tunnel to get to your seat, lies vendor after vendor serving decadent meals and frosty cold beers. The homage train car near the exclusive “American Express” entryway isn’t lost on this New York however, it does serve as a cool separation for the haves and the people who are actually riding the train.
(Image Courtesy of New York City Theater)
The Internet was a sublime opener for those previously unaware of the group. With a cocktail mix of R&B, hip-hop, funk and electronic they served as the perfect amuse-bouche to the audience. Even though there were a number of seats still being filled in, the waiting crowd was vibing to the beats.
Anticipation wore heavy on me wondering with questions of what form the band would appear in for the show. Previously known for concealing their identity with some groovy animations or using their silhouettes, the band storms on stage with a wild energy. Their outfits matching the presence of their music, electrical and eclectic. All except for the frontman of the band, David Albarn’s character 2-D, represents a similarly grungy, laid back, cigarette ashing on my washed out black T-Shirt vibe. The other members performing as the backup in some radical bright patterns and eye-catching colors, like the animated videos in the background showing the remaining animated members of the band.
(Image Courtesy of Brooklyn Vegan)
The first song bringing the band on stage “M1 A1” screams out an ominous call for help, behind a building guitar riff which is reminiscent of early guitar hero strumming that breaks into an electrifying brit rock anthem. It was an excellent way to start and rile up the crowd after a comparatively calm band like The Internet.
Followed up by ‘Tranz’ a trancey toon with an animated video of the nonhuman portion performing, gives a feel of what some of the first songs put out by the band. There is more of a rock influence backing the track. ‘Last Living Souls’ was next up using a beat machine. David Albarn introduces a tougher hip-hop beat while the song sings out questioning the humanity of people while alternating between beats and a country-like ballad. This song shows how the band can seamlessly incorporate different genres.
The band coasts through “Rhinestone Eyes” a softer melody before getting into the far creepier “Saturn Barz” featuring Popcaan. The song is dark visually and linguistically. Popcaan sings through some of the painful realities of his life growing up in Jamaica, to a contrastingly creepy electronic rhythm. The electronic presence of the group, likely wouldn’t have translated as well without the harmonious background cast of all black singers. There, a solo by a spectacular talent that was especially appreciated by the audience.
Other highlights of their epically extravagant set include a variety of guest stars including De La Soul, Peven Everett, Bootie Brown and a Brooklyn native Mos Def. The experience was a definite separation from a typical concert experience with well-choreographed animated videos, to bring clarity to the lyrics that are usually far more serious than their sometime’s pop-punky backtracks. Towards the end of the show, most of the sparsity in the crowd was filled with standing fans singing along. This being a more personable performance for the band, it only leaves us fans anticipating what the transformative group has ahead of them.